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<title>Dokuz Eylül Üniversitesi GSF Yedi:Sanat,Tasarım ve Bilim Dergisi, S2 (2009)</title>
<link href="http://hdl.handle.net/20.500.12397/877" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/20.500.12397/877</id>
<updated>2026-04-21T14:09:04Z</updated>
<dc:date>2026-04-21T14:09:04Z</dc:date>
<entry>
<title>Sosyal devlette sanat ve sanatçının korunması</title>
<link href="http://hdl.handle.net/20.500.12397/911" rel="alternate"/>
<author>
<name>ERDOĞAN, Gülnur</name>
</author>
<id>http://hdl.handle.net/20.500.12397/911</id>
<updated>2020-06-16T12:44:28Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Sosyal devlette sanat ve sanatçının korunması
ERDOĞAN, Gülnur
   
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Sıradaki oyun</title>
<link href="http://hdl.handle.net/20.500.12397/910" rel="alternate"/>
<author>
<name>ÖZGÜR, RASİM</name>
</author>
<id>http://hdl.handle.net/20.500.12397/910</id>
<updated>2020-06-16T12:44:28Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Sıradaki oyun
ÖZGÜR, RASİM
  Bu makale iç içe geçmiş bir dönemde belirginleşen modernizm ve postmodernizmin felsefi temellerine değinerek plastik sanatlardaki yaratıcılığını tartışır.    This article discusses the precarious creative potentialities of modernism and postmodernism as they overlap and juxtaposed on both practical and theoretical level, by touching upon their philosophical foundations.  
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Edebi motif: Bir tanım ve değerlendirme</title>
<link href="http://hdl.handle.net/20.500.12397/909" rel="alternate"/>
<author>
<name>FREEDMAN, William</name>
</author>
<id>http://hdl.handle.net/20.500.12397/909</id>
<updated>2020-06-16T12:44:28Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Edebi motif: Bir tanım ve değerlendirme
FREEDMAN, William
   
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Çağdaş sanatın kaynağı</title>
<link href="http://hdl.handle.net/20.500.12397/908" rel="alternate"/>
<author>
<name>KORUR, A.FEYZİ</name>
</author>
<id>http://hdl.handle.net/20.500.12397/908</id>
<updated>2020-06-16T12:44:28Z</updated>
<published>2009-01-01T00:00:00Z</published>
<summary type="text">Çağdaş sanatın kaynağı
KORUR, A.FEYZİ
  Bu makale çağdaş sanat çalışmalarının değerlendirilmesinde önemli bir sorun olarak karşımıza çıkan temsil meselesini, geleneksel sanattaki gerçeklik/yanılsama ilişkisi ve 1960'larda ortaya çıkan sanatsal ve felsefi yaklaşımlar bağlamında tartışır.    This article deals with the issue of representation that emerges as an important problematic in the appreciation of contemporary works of art, within the context of the reality/illusion relationship in traditional art and the artistic and philosophical ideas that emerged during sixties.  
</summary>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</entry>
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